![]() ![]() In the Effects module, clicking a pedal opens the editable zoom window. Its Tone settings can help brighten the fundamentally warm Amp sound. The Overdrive works well combined with cleaner Amp settings, or can push existing overdriven tones over the edge. ![]() ![]() In the Pedal page you get four options: one screamer-style Overdrive before the Amp, and three effects pedals (Delay, Wah and Reverb) after the Cab. Switching out the Overdrive and Magic processors reveals the core amplifier tone, which is surprisingly warm, even at high Gain settings. This delivers the plugin’s main sound, which you can then enhance with the pedal effects and the output limiter. Guilty Pleasure launches with all modules active, but in reality just the Amp, Cab, Magic and Overdrive are actually doing anything. In the majority of cases, we found that things sounded better with it switched on. Although they don’t specify what this sorcerous processor does, shown on a frequency analyser it cuts the low mids, and boosts low and high frequencies, achieving a more polished and mix-ready sound. Clicking on the Signal Flow button reveals all seven modules, allowing you to bypass the Magic module should you wish. In order of signal flow, its seven modules are Pedal, Amp, Cab, Magic, Effects, EQ and Limiter, with global Input and Output gain (+12 to -70dB) and an input Gate rounding things off.Īll but the Magic module have editable parameters, and the six are accessed by clicking on the relevant icon at the bottom. The latest, Guilty Pleasure (AU/VST/AAX/ RTAS), is the company’s third guitar-focused Toneforge plugin, designed for classic high-gain amplifier tones. ![]()
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